Swung By Seraphim is a blog run by me, Jason Pitzl-Waters (AKA DJ ZoZo) a DJ living and working in Urbana, Illinois (home of the University of Illinois). I do a "Goth and Darkwave" weekly radio program, spin at various live events and write a music column for a slightly hip Pagan magazine.

I'm doing this blog to break from the popular consensus that any music that dares draw "Goth" fans is somehow less worthy or brilliant. In fact, I dare posit that some of these bands may end up being lauded by the critics who now scorn them or lump them in with superficial shock-rockers.

If you are an artist or label and wish to contact SbS please e-mail me. All Mp3s hosted on this site are taken down after 10 days.

Links:
Dark Music Information:
AllM: Goth
AllM: Industrial
AllM: Post-Punk
History of Goth
Deathrock.com
Sexbat's H.O.G.
Alt.Gothic FAQ
Wiki: Post-Punk
Wiki: Goth
Wiki: Convergence
Convergence (history)
Gothic Subculture
Darklinks

Dark Music E-Zines:
Starvox
Morbid Outlook
Dark Culture
Legends
ChainDLK

Dark Print Magazines:
Side-Line
Outburn
Industrial Nation

New Grave

Dark Music Labels and Distros:
Black Lotus
Carpe Mortem

Century Media
Cleopatra
Dancing Ferret
Dark Dimensions
Disaster
DSBP
Equilibrium
The Fossil Dungeon

GSL
Hell's Hundred
Instinct
Metropolis Records
Middle Pillar
Middle Pillar Presents
Neue Asthetik Multimedia
Nilaihah Records
Projekt
Prikosnovenie
Simulacre
Strobelight
Trisol
Troubleman Unlimited
World Serpent Distribution


Music Reviews and News:
Pitchfork
Tiny Mix Tapes
Splendid
DOA
NATN
Junk Media
Pop Matters
Perfect Sound Forever
Funprox

Music Blogs:
Swung By Seraphim
DNA Sequencing
Shards, Fragments and Totems
ANAblog
More In The Monitor
DJ Martian
Mick Mercer
LBotNWE
Waxy
Fluxblog
Said The Grammophone
The Tofu Hut
Music (for Robots)
Nevercamehome
The Suburbs Are Killing Us
The Mystical Beast
Royal Music
Misericordia!
Sleepytunes
Dream Chimney
Hush Reality
Danger! High Postage
Lindsayism
Bubblegum Machine
Chromewaves
Senses Working Overtime
Totally Fuzzy
Red Lotus Radio
Zen Archery
Mystery and Misery
An Idiot's Guide To Dreaming
Cerysmatic Factory
g3rm
The Rambler
Wiretap
The Blank Generation
Parasol Blog
Papernoose
Just For A Day
No One Here Is Asking
Paul Shrug's Mp3 Blog
FeldFunker.de
Eve Massacre


Resources:
Site Feed:
Gothblog.xml
Archive:
07/2004
08/2004
09/2004
10/2004
11/2004
12/2004
01/2005
02/2005
03/2005
04/2005
05/2005
06/2005
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Sunday, December 12, 2004
  Recent "Goth" quotes in the media.

"I'm not immune to the nostalgia of the retro industry. Moreover, the acts that managed to break new ground were enough to keep me excited for what's to come in the future. Not that this answers the debate over retrograde music. If we're following trajectories, in the next couple of years it could be goth or industrial or synthpop revitalized as the Next Big Old Thing." - Patrick Schabe (Popmatters)

"I remember when I was a kid, before the hyphenated sub-genre explosion that we've been crushed with lately, there weren't that many back then," he says. "You were either a new wave kid, you were a metalhead, you were a Goth kid, or a preppie or a redneck. There wasn't a whole bunch to pick from and I think that saved me, because none of it really interested me enough." - Butch Walker

"We got back home after the Pacifier album and everyone hated us. One day I went walking in Wellington with my 11-year-old daughter, and on the corner there were some goth guys who looked exactly like me at the same age. As we went past they shouted out, Jon, you're a f–king sellout! I wanted to run down to Rebel Sport, buy a cheap cricket bat and come back and explain a few things to them about the complexities of the record industry." - Jon Toogood (of Shihad), Stuff.co.nz

"This first generation of Goth icons were not labeled as such until many years later, but they introduced an untried musical perversion that wove dark, even macabre poetry with disturbing imagery and a sound layered with pounding bass and dissonant melodies. The routinely disenchanted, youthful masses were primed for just such a sound, and the movement exploded in the early 1980s in a flurry of black hair, red lipstick and vinyl." - Erin Ryan, Boise Weekly



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