8.10.2008
(Pagan) News of Note
My semi-regular round-up of articles, essays, and opinions of note for discerning Pagans and Heathens.
The Richmond Times Dispatch in Virginia reports on CaribFest, and speaks with Haiti's ambassador to the U.S. about Vodou/Voodoo.
"Raymond A. Joseph, Haiti's ambassador to the U.S., was quite conversant on the subject of voodoo. 'When people think of voodoo, they think about the pins and the dolls. . . . That is sorcery and witchcraft,' Joseph said. In reality, he said, 'voodoo is a religion, like any other.'"
In a fortunate piece of kismet, the public radio program Speaking of Faith aired its "Living Vodou" episode this week, which features an interview with Vodou scholar and practitioner Patrick Bellegarde-Smith.
Tropaion reports that the National Archaeological Museum of Athens, in partnership with the Onassis Cultural Foundation in New York, will be presenting an exhibition in December that may be of great interest to modern Pagans.
"Worship, Women’s Ritual and Reality in Classical Athens, is the forthcoming exhibition by the National Museum and the Onassis Cultural Foundation in New York for the following year ... The exhibition will hold 158 artifacts from the National Museum, Acropolis, Kerameikou, Thebes and others including with 29 artifacts from the British, Metropolitan, Louvre, Vatican, Berlin and other foreign Museums. The exhibition is going to be divided in four main categories / themes: goddesses, priestesses, women and ritual, festivities and women on the circle of life. The visitor will be initially introduce with the Athena Parthenou, Artemis of Brauron, Demeter and Persephone who are presented with artifacts of their temples. Then, there are the mythical priestesses like Theano, who retain the key to further discover the practical aspect of worship (sacrifices, libations and choes). The exhibition ends with the section of the cycle of life (birth, adulthood, marriage and death), which run all stages of life in relation to religion and a woman."
You can read more from this Greek paper. A formal press release hasn't been issued, but once it is, I'll provide a link.
Speaking of exhibitions in New York, the Museum of Biblical Art in Manhattan is currently hosting a traveling exhibit of 106 Albrecht Dürer prints. The famous German painter and print-maker, while devoting much of his work to Christian themes, also explored Greco-Roman myth, and did several witch-themed works. Reflecting the the growing concern (and eventual panic) that would engulf his homeland.
Excerpt from "The Four Witches" 1497
You can read more about the exhibition (which runs through Sept. 21) in this Lower Hudson Journal news article.
The Washington Post does a profile on the Hex signs of the Pennsylvania Dutch, and interviews Don Yoder, co-author of "Hex Signs: Pennsylvania Dutch Barn Symbols & Their Meaning", artist Eric Claypoole, and Patrick J. Donmoyer, a student at Kutztown University who studies hex paintings.
"Some of the symbols, he said, date to Norse, and even pagan, art. And it is no coincidence that the hub of hex sign activity is in Pennsylvania rather than, say, New York or New Jersey. "There was freedom of religion in Pennsylvania," he said. "People were afraid of so many things. Even 'witches' were protected here." The argument that hex signs couldn't have mystical meanings because they're so public and out there for the world to see is misleading, Donmoyer said."
Pennsylvania Dutch "Pow-Wow" folk practice and magic has gained popularity among some modern Pagans (to varying degrees of authenticity and success). So a thoughtful exploration of one aspect of this culture is welcome.
Druid leader King Arthur Pendragon's protest at Stonehenge has entered its second month.
"Demonstrating on behalf of the Council of British Druid Orders, King Arthur Pendragon has vowed to remain at the site, living in his caravan, until the historic site is opened fully to the public ... Pendragon, 54, has been camping close to the World Heritage Site since the Summer Solstice on June 21 and is hoping his protests will encourage the Government to remove the fences around the monument, build a tunnel under the A303 and grass over the A344."
It is unclear if Pendragon's protest, or the ongoing public consultation, will produce much needed changes in time for the 2012 Olympics.
In a final note, it looks fairly certain that Natalie Portman will be starring in a remake of Dario Argento's occult-horror masterpiece "Suspiria" (featuring an evil coven of witches).
"Handsome Charlie Films, which is headed by Natalie Portman (pictured inside) and Annette Savitch, will be producing the remake of Dario Argento's Suspiria. In addition, word has it Portman will topline the film that David Gordon Green is attached to direct. Green's PINEAPPLE EXPRESS hits theaters tomorrow."
Another addition to the large pile of horrid horror remakes (think "The Wicker Man"), or new classic for a new generation? I suppose only time will tell.
That is all I have for now, have a great day!
Labels: art, Arthur Pendragon, Druidry, folklore, goddess, Greece, movies, New York, Pagan News of Note, Paganism, Stonehenge, Vodou, Witchcraft
7.15.2008
Two Pagan-Friendly Music Sources Close
This past few weeks has seen announcements from two Pagan-friendly music labels/distributors that they are closing up shop. First, at the end of June, the online folk music resource Woven Wheat Whispers called it quits.
"We didn’t have to close WWW, it was paying it’s way and no money was lost. It was just a decision about the future taken calmly at a point where we had time to think… It was meant to be fun and would have turned into slog at some point in the near future ... We could have continued and would have done alright, but with Myspace starting to sell downloads, Amazon coming in and iTunes level of market dominance, there was little point. Even CDBaby now sell downloads alongside the CD. Exiting in a positive way seemed the best thing to do at the right time. WWW didn’t collapse, we have all the money needed. It was a decision taken about how far to push what was a small home operation delivered in my spare time."
I mentioned Woven Wheat Whispers on this blog last year when they released (with Cold Spring Records) the amazing "John Barleycorn Reborn" compilation. Woven Wheat Whispers introduced me to some great artists, including The Owl Service, Cunnan, Arrowwood, Novemthree, Sharron Kraus, and The Horses of The Gods. It at times felt like the label/service was especially created for fans of The Wicker Man soundtrack (a high compliment in my book). Needless to say, WWW artists got, and continue to get, at lot of airplay on my podcast/streaming radio show.
Meanwhile, just yesterday, Dancing Ferret/Noir Records founder Patrick Rodgers announced that his popular goth/darkwave label would be closing down in November.
"After November, Dancing Ferret Discs (and Noir Records) will stop releasing new material. Of course this does NOT mean that our wonderful artists are hanging up their hats, nor that their albums will disappear. It also does NOT mean that anything will happen to Nocturne, Dracula's Ball, Digital Ferret or IsoTank. It simply means that in the future, new albums by the DFD bands that you love will be released by other labels (or in some cases, by the artists themselves)."
DFD/Noir, aside from representing popular darkwave acts like The Cruxshadows, also introduced America to great European neo-medieval, ethereal, Pagan-folk, and darkwave bands like Corvus Corax, Irfan, The Dreamside, Faun, and Omnia.
Both of these labels/services have been instrumental in helping to expand the idea of a "Pagan music" beyond the New Age mediocrities and sub-par folk that many assumed was the norm. It showed that there were new generations of musicians across America, the UK, and Europe, that were making challenging and exciting music that dealt with themes near and dear to the Pagan soul. To say that the exit of Woven Wheat Whispers and Dancing Ferret/Noir leaves a hole is an understatement. So I raise my glass in toast to both of them, they have enriched us more than most will ever know.
You can expect tributes to both Woven Wheat Whispers and Dancing Ferret/Noir in upcoming episodes of my A Darker Shade of Pagan podcast.
Labels: A Darker Shade of Pagan, Dancing Ferret/Noir, folklore, goth, John Barleycorn Reborn, music, Paganism, The Wicker Man, UK, Woven Wheat Whispers
5.11.2008
Old Traditions, New Directions
The Independent has a feature up on the tradition of Morris Dancing, specifically how two troupes are bringing a decidedly modern aesthetic to these venerable folk traditions.
The Hunters Moon Morris
"Morris dancing is a joke, isn't it, with a hey nonny no? Beardy men with beer bellies prancing about in white stockings, waving hankies? Very twee. But try telling that to the men and women of Hunters Moon, here by the Sussex coast looking like the devilish spawn of Hell's Angels and medieval mummers. They are part of a secret revolution in morris dancing, transforming the most easily lampooned of English eccentricities. Fresh rivalries are emerging, as younger men and women reinvent "the morris" in startling ways - including, as we discover during a mad dash around southern England on May Day, the world's first Gothic morris troupe - or "side"."
The Wolf's Head and Vixen Morris.
The article profiles the decidedly Pagan-oriented Hunters Moon Morris, and the gothic Wolf's Head and Vixen Morris. Journalist Cole Moreton describes Wolf's Head and Vixen as looking like a "boozy, woozy gathering of the Sisters of Mercy fan club", but they, like the Hunter's Moon troupe, are trying to reclaim Morris dancing from a static and sometimes oppressive vision of English history and culture.
"One reason for the recent growth of Border morris is that it is easier to learn (while more spectacular) than other forms. Another is an increase in the number of British neo-pagans, many of whom are drawn to it. "We quite consciously work with ideas of shamanism," says [Wolfshead founder Philip] Kane. "It's a form of ritual theatre, a magical space embracing both dancers and audience." There are radical politics at work too: he sees the dance, and "neo-pagan carnivals" such as the Rochester Sweeps, as a way of resisting the "complacent nostalgia" of Englishness "founded on the detritus of imperialism, Christianity, racism and xenophobia". His England has more primitive, inclusive roots, and for him the morris is a way of expressing that."
Of course there are still several traditional Morris "sides" (albeit aging rapidly) performing in England. Unlike the Pagan and goth troupes, they see what they are doing as safely within the bounds of their Christian faith, and downplay any esoteric aspects connected to Morris dancing by folklorists in the past.
"So, what do they think they're up to? Norman Hopson, the 56-year-old squire, is a technical manager for BT but has the no-nonsense manner of a bluff countryman. "Some say the handkerchiefs are there to frighten away spirits, and the same for the bells," he says. "We say they are there to accentuate the movements." Nor is there anything mystical about his experience of dancing: "I see myself as a street entertainer." ... Hopson doesn't see it as a symbol of fertility, or anything else, thank you. "The Long Man is a local landmark," he says. "It's just a carving on a hill. I don't think it has any further significance." The side's bagman, Alan Vaughan, puts it more strongly: "We would go against that pagan idea," he says. 'Traditionally, morris dancing has been connected with the church. I personally have danced in Durham Cathedral.'"
Of course the pagan and esoteric undertones to modern Morris dancing (true or not) are irrevocably wrapped into it thanks to folklorists like Cecil Sharp, who felt that folk-traditions were cultural fossils of England's primitive past (what Ronald Hutton calls the "geological model" of human culture). This notion of pagan survivals helped pave the way for the emergence of modern Pagan religion, and still casts a long shadow in the public mind when considering Morris dances and other folk traditions.
"The folk singers of today ... are the last of a long line that stretches back into the mists of far-off days." - Cecil Sharp, English Folk Song: Some Conclusions, 1907
Nor is England the only place where Pagans and other subcultural groups are staking their own claims to the Morris legacy. Pagans in America, most notably in California, have started up their own Morris traditions. Before long, the Victorian folklorists may turn out to be prophets, as more and more Morris troupes embrace a Pagan aesthetic.
PS - Speaking of traditions, today is Mother's Day. Check out my post concerning the holiday from last year, I think it says all I want to say about the subject.
Labels: folklore, goth, Morris Dancing, Paganism, UK
